Miryam Sas

Author, Scholar

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Exhibition Essays


Japanese Photography in the Context of Provoke

“Conceptualizing Japanese Postwar Photography: Snap, Movement, Refusal,” in La Mirada de las Cosas = The Gaze of Things, Fotografia japonesa en torno a Provoke / Japanese Photography in the Context of Provoke (Valencia: Fondacio per Amor a l’Art, 2019).



Second Skin

“Second Skin,” on the Japanese photographer Ishiuchi Miyako, catalogue essay in Ishiuchi Miyako: Postwar Shadows, Los Angeles: Getty Publications, 2015.



Intermedia 1955-1970

“Intermedia 1955-1970,” catalogue essay in Tokyo 1955-1970: A New Avant-Garde, Museum of Modern Art, New York, fall 2012.



From Postwar to Contemporary Art in Japan

“From Postwar to Contemporary Art in Japan,” catalogue essay in Roppongi Crossings: For a Landscape to Come, Heibonsha Publishers and Mori Museum of Art, Tokyo, fall 2013.


See scholarly books

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