Japanese Photography in the Context of Provoke
“Conceptualizing Japanese Postwar Photography: Snap, Movement, Refusal,” in La Mirada de las Cosas = The Gaze of Things, Fotografia japonesa en torno a Provoke / Japanese Photography in the Context of Provoke (Valencia: Fondacio per Amor a l’Art, 2019).
“Second Skin,” on the Japanese photographer Ishiuchi Miyako, catalogue essay in Ishiuchi Miyako: Postwar Shadows, Los Angeles: Getty Publications, 2015.
“Intermedia 1955-1970,” catalogue essay in Tokyo 1955-1970: A New Avant-Garde, Museum of Modern Art, New York, fall 2012.
From Postwar to Contemporary Art in Japan
“From Postwar to Contemporary Art in Japan,” catalogue essay in Roppongi Crossings: For a Landscape to Come, Heibonsha Publishers and Mori Museum of Art, Tokyo, fall 2013.