“Culture Industries and Media Theory,” published in Media Theory in Japan, ed. Alex Zahlten and Marc Steinberg, Duke University Press.
“Pink Feminism? The Program Pictures of Hamano Sachi,” in The Pink Book, edited by Abé Markus Nornes (KineJapan Publications, 2014).
“By Other Hands: Environment and Apparatus in 1960s Intermedia,” chapter in Oxford Handbook of Japanese Cinema, ed. Daisuke Miyao, Oxford University Press, fall 2013.
“Violence and Cinematic Revolution (Ōshima Nagisa’s Ninja Bugeichō, 1967)” article on experimental animation of the 1960s, Mechademia 7: Lines of Flight, University of Minnesota Press, fall 2012.
“Subject, City, Machine,” on Japanese futurism and Inagaki Taruho, in Histories of the Future, edited by Susan Harding and Dan Rosenberg (Durham, North Carolina: Duke University Press, 2005): 201–230.
“Hands, Lines, Acts: Butoh and Surrealism,” Qui Parle, Vol. 13, No. 2 (Spring/Summer 2003): 19-51.
“Palimpseste et contrepoint: l’Asie, du Japon à Java,” on Peter Sellars and Asian theatre, in Peter Sellars, ed. Frédéric Maurin, in the series Les voies de la création théâtrale (Paris: CNRS Éditions, 2003).
“De chair et de pensée: le butô et le surréalisme,” in Butô(s), ed. Odette Aslan, in the series Arts du spectacle (Paris: CNRS Éditions, 2002): 37–50.
“Chambered Nautilus: The Fiction of Ishikawa Jun,” Journal of Japanese Studies 24:1 (Winter 1998): 35-58.
“Imagining Futures: the Casual Theater of Betsuyaku Minoru,” Review of Asian and Pacific Studies No. 17 (1998): 35-52.
Online
Contribution to post:“Notes on Modern and Contemporary Art around the Globe” (Museum of Modern Art: “Intermedia Japan (1955-1970)” – Found Here (posted April 2013, 56 minutes).